The Tone-Syntax Interface in Chinese: Some Recent Controversies*
San Duanmu
Abstract
San Duanmu
Abstract
The main question I explore in this paper is whether there is a general theory of the phonology-syntax interface that applies to all Chinese dialects. I first review three types of tone sandhi in Chinese, those in Mandarin, Xiamen, and Shanghai. Then I review the interaction between syntax and the domain of tone sandhi in these dialects. Next I discuss the analysis of the tone-syntax interface. In particular, I compare several current approaches to foot formation in Chinese and argue for the view that foot formation depends on stress assignment. The stress-based analysis applies to all the Chinese dialects in question, as well as better-known stress languages such as English.
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The main question I explore in this paper is whether there is a general theory of the phonology-syntax interface that applies to all Chinese dialects. I first review three types of tone sandhi in Chinese, those in Mandarin, Xiamen, and Shanghai. Then I review the interaction between syntax and the domain of tone sandhi in these dialects. Next I discuss the analysis of the tone-syntax interface. In particular, I compare several current approaches to foot formation in Chinese and argue for the view that foot formation depends on stress assignment. The stress-based analysis applies to all the Chinese dialects in question, as well as better-known stress languages such as English.
Key concepts: Mandarin Chinese, Tone (literature), Linguistics, Syntax, Phonology, Stress (linguistics), Computer science, Interface (matter)