2002Journal of the Audio Engineering SocietyRequires access

Spatial Quality Evaluation for Reproduced Sound: Terminology, Meaning, and a Scene-Based Paradigm*

Francis Rumsey

Open publisher page 168 citations

Abstract

Spatial quality in reproduced sound is a subset of the broad topic of sound quality. In the past it has been studied less rigorously than other aspects of reproduced sound quality, leading to a lack of clarity in standard definitions of subjective attributes. Rigor in the physical measurement of sound signals should be matched by equal rigor in semantics relating to subjective evaluation. A scene-based paradigm for the description and assessment of spatial quality is described, which enables clear distinctions to be made between elements of a reproduced sound scene and will assist in the search for related physical parameters.

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What this paper is about

Spatial quality in reproduced sound is a subset of the broad topic of sound quality. In the past it has been studied less rigorously than other aspects of reproduced sound quality, leading to a lack of clarity in standard definitions of subjective attributes. Rigor in the physical measurement of sound signals should be matched by equal rigor in semantics relating to subjective evaluation. A scene-based paradigm for the description and assessment of spatial quality is described, which enables clear distinctions to be made between elements of a reproduced sound scene and will assist in the search for related physical parameters.

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OpenAlex reports 168 citations for this work. Citation counts describe recorded attention and do not establish research quality.

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Available abstract

Spatial quality in reproduced sound is a subset of the broad topic of sound quality. In the past it has been studied less rigorously than other aspects of reproduced sound quality, leading to a lack of clarity in standard definitions of subjective attributes. Rigor in the physical measurement of sound signals should be matched by equal rigor in semantics relating to subjective evaluation. A scene-based paradigm for the description and assessment of spatial quality is described, which enables clear distinctions to be made between elements of a reproduced sound scene and will assist in the search for related physical parameters.

Key concepts: CLARITY, Terminology, Quality (philosophy), Meaning (existential), Sound (geography), Computer science, Sound quality, Semantics (computer science)

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