Perceptual evaluation of multi-dimensional spatial audio reproduction
Catherine Guastavino, Brian F. G. Katz
Abstract
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Catherine Guastavino, Brian F. G. Katz
Abstract
Open-access reader
Perceptual differences between sound reproduction systems with multiple spatial dimensions have been investigated. Two blind studies were performed using system configurations involving 1-D, 2-D, and 3-D loudspeaker arrays. Various types of source material were used, ranging from urban soundscapes to musical passages. Experiment I consisted in collecting subjects' perceptions in a free-response format to identify relevant criteria for multi-dimensional spatial sound reproduction of complex auditory scenes by means of linguistic analysis. Experiment II utilized both free response and scale judgments for seven parameters derived form Experiment I. Results indicated a strong correlation between the source material (sound scene) and the subjective evaluation of the parameters, making the notion of an "optimal" reproduction method difficult for arbitrary source material.
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Perceptual differences between sound reproduction systems with multiple spatial dimensions have been investigated. Two blind studies were performed using system configurations involving 1-D, 2-D, and 3-D loudspeaker arrays. Various types of source material were used, ranging from urban soundscapes to musical passages. Experiment I consisted in collecting subjects' perceptions in a free-response format to identify relevant criteria for multi-dimensional spatial sound reproduction of complex auditory scenes by means of linguistic analysis. Experiment II utilized both free response and scale judgments for seven parameters derived form Experiment I. Results indicated a strong correlation between the source material (sound scene) and the subjective evaluation of the parameters, making the notion of an "optimal" reproduction method difficult for arbitrary source material.
Key concepts: Loudspeaker, Soundscape, Perception, Computer science, Reproduction, Sound (geography), Sound recording and reproduction, Acoustics