1980Medical Entomology and ZoologyRequires access

An introduction to Japanese prints

Joe Earle

Open publisher page 1 citations

Abstract

Traces the history of the Japanese woodblock print, taking as its starting point the earliest illustrations to Buddhist texts, continuing with a detailed account of the popular prints of the Edo period (1615--1868) and concluding with the modern Creative Print movement. Both the subject matter and the technical and historical background are explained in full. All the important artists and styles are covered, from the black and white designs of Moronobu and the subsequent gradual introduction of colour, to the great prints of courtesans in the late 18th century and the landscapes of Hokusai and Hiroshige in the 19th. The book includes 30 colour plates.

About this research paper

What this paper is about

Traces the history of the Japanese woodblock print, taking as its starting point the earliest illustrations to Buddhist texts, continuing with a detailed account of the popular prints of the Edo period (1615--1868) and concluding with the modern Creative Print movement. Both the subject matter and the technical and historical background are explained in full. All the important artists and styles are covered, from the black and white designs of Moronobu and the subsequent gradual introduction of colour, to the great prints of courtesans in the late 18th century and the landscapes of Hokusai and Hiroshige in the 19th. The book includes 30 colour plates.

Why it matters

OpenAlex reports 1 citations for this work. Citation counts describe recorded attention and do not establish research quality.

Key contribution

A contribution statement is not available in the OpenAlex record.

Method / approach

Method details are not available in the OpenAlex metadata.

Main findings

Findings are not separately available in the OpenAlex metadata.

Limitations

Limitations are not available in the OpenAlex metadata.

Applications

Application details are not available in the OpenAlex metadata.

Available abstract

Traces the history of the Japanese woodblock print, taking as its starting point the earliest illustrations to Buddhist texts, continuing with a detailed account of the popular prints of the Edo period (1615--1868) and concluding with the modern Creative Print movement. Both the subject matter and the technical and historical background are explained in full. All the important artists and styles are covered, from the black and white designs of Moronobu and the subsequent gradual introduction of colour, to the great prints of courtesans in the late 18th century and the landscapes of Hokusai and Hiroshige in the 19th. The book includes 30 colour plates.

Key concepts: Subject matter, Japanese art, Period (music), Visual arts, Buddhism, White (mutation), Art, Art history

Related papers

Back to paper searchBrowse research topicsOriginal source
An introduction to Japanese prints — Research Paper | ScholarLens