2013•DOAJ (DOAJ: Directory of Open Access Journals)Open access

Can a Single Still Picture Tell a Story? Definitions of Narrative and the Alleged Problem of Time with Single Still Pictures

Klaus Speidel

Open full text 16 citations

Abstract

That the same story can be told in different media is one of the fundamental claims of narratology. Claude Bremond (1964) famously listed verbal narrative, novels, theater, movies and ballet among potential vehicles for story. He thus prepared the ground for narratology’s future as a discipline engaged in narrative research across media, in principle including single still pictures. However, narratological research concerned with pictorial narrativity generally proceeds from the assumption that although single pictures may evoke or imply stories, they are unsuitable for storytelling in a strict narratological sense. Focusing on the key issue of temporality, this essay will show that a single still picture may indeed tell “a story proper” (Wolf 2003, 180) and can thus be regarded as a narrative, even according to a narrow definition.

About this research paper

What this paper is about

That the same story can be told in different media is one of the fundamental claims of narratology. Claude Bremond (1964) famously listed verbal narrative, novels, theater, movies and ballet among potential vehicles for story. He thus prepared the ground for narratology’s future as a discipline engaged in narrative research across media, in principle including single still pictures. However, narratological research concerned with pictorial narrativity generally proceeds from the assumption that although single pictures may evoke or imply stories, they are unsuitable for storytelling in a strict narratological sense. Focusing on the key issue of temporality, this essay will show that a single still picture may indeed tell “a story proper” (Wolf 2003, 180) and can thus be regarded as a narrative, even according to a narrow definition.

Why it matters

OpenAlex reports 16 citations for this work. Citation counts describe recorded attention and do not establish research quality.

Key contribution

A contribution statement is not available in the OpenAlex record.

Method / approach

Method details are not available in the OpenAlex metadata.

Main findings

Findings are not separately available in the OpenAlex metadata.

Limitations

Limitations are not available in the OpenAlex metadata.

Applications

Application details are not available in the OpenAlex metadata.

Available abstract

That the same story can be told in different media is one of the fundamental claims of narratology. Claude Bremond (1964) famously listed verbal narrative, novels, theater, movies and ballet among potential vehicles for story. He thus prepared the ground for narratology’s future as a discipline engaged in narrative research across media, in principle including single still pictures. However, narratological research concerned with pictorial narrativity generally proceeds from the assumption that although single pictures may evoke or imply stories, they are unsuitable for storytelling in a strict narratological sense. Focusing on the key issue of temporality, this essay will show that a single still picture may indeed tell “a story proper” (Wolf 2003, 180) and can thus be regarded as a narrative, even according to a narrow definition.

Key concepts: Narrativity, Narratology, Narrative, Storytelling, Temporality, Focalization, Literature, Narrative art

Related papers

Back to paper searchBrowse research topicsOriginal source
Can a Single Still Picture Tell a Story? Definitions of Narrative and the Alleged Problem of Time with Single Still Pictures — Research Paper | ScholarLens