2014Canadian social scienceOpen access

On the Commonalities of Artistic Principles of Landscape Poetry and Painting in Liu Song Dynasty

Peng Li

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Abstract

It is generally believed that the fusion of poetry and painting was achieved in Tang and Song dynasties. However, in Liu Song dynasty, landscape poetry and landscape painting coincidently completed the process of being independent. Meanwhile, they both have jointly demonstrated an aesthetic fashion and artistic progress of the times in terms of the creation purpose of enlightenment and emotional experience, the artistic expression of admiring similarity in shape, and the way of framing like “distant reflection” and other similar ways. This shows that Chinese landscape poetry and landscape painting, from the establishment to the development and improvement, has always been in a mutually connected, inspired and influenced relationship.

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It is generally believed that the fusion of poetry and painting was achieved in Tang and Song dynasties. However, in Liu Song dynasty, landscape poetry and landscape painting coincidently completed the process of being independent. Meanwhile, they both have jointly demonstrated an aesthetic fashion and artistic progress of the times in terms of the creation purpose of enlightenment and emotional experience, the artistic expression of admiring similarity in shape, and the way of framing like “distant reflection” and other similar ways. This shows that Chinese landscape poetry and landscape painting, from the establishment to the development and improvement, has always been in a mutually connected, inspired and influenced relationship.

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Available abstract

It is generally believed that the fusion of poetry and painting was achieved in Tang and Song dynasties. However, in Liu Song dynasty, landscape poetry and landscape painting coincidently completed the process of being independent. Meanwhile, they both have jointly demonstrated an aesthetic fashion and artistic progress of the times in terms of the creation purpose of enlightenment and emotional experience, the artistic expression of admiring similarity in shape, and the way of framing like “distant reflection” and other similar ways. This shows that Chinese landscape poetry and landscape painting, from the establishment to the development and improvement, has always been in a mutually connected, inspired and influenced relationship.

Key concepts: Poetry, Landscape painting, Painting, Enlightenment, Classical Chinese poetry, Framing (construction), Art, Expression (computer science)

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