ScholarLens Back to search
1991•Institute of Contemporary Arts eBooksRequires access

Possible Worlds : Sculpture from Europe

Iwona Blazwick, James Lingwood, Andrea Schlieker

Open publisher page 0 citations

Abstract

Introducing seven European sculptors, the authors examine the artists' indebtedness to and difference from the sculptural languages of the 1960s by their refusal of the fragmentary and the systemic, and by the viewer's relation to the work. Includes an interview with each artist and biographical notes. Circa 145 bibl. ref.

About this research paper

What this paper is about

Introducing seven European sculptors, the authors examine the artists' indebtedness to and difference from the sculptural languages of the 1960s by their refusal of the fragmentary and the systemic, and by the viewer's relation to the work. Includes an interview with each artist and biographical notes. Circa 145 bibl. ref.

Why it matters

A significance statement is not available in the OpenAlex record.

Key contribution

A contribution statement is not available in the OpenAlex record.

Method / approach

Method details are not available in the OpenAlex metadata.

Main findings

Findings are not separately available in the OpenAlex metadata.

Limitations

Limitations are not available in the OpenAlex metadata.

Applications

Application details are not available in the OpenAlex metadata.

Available abstract

Introducing seven European sculptors, the authors examine the artists' indebtedness to and difference from the sculptural languages of the 1960s by their refusal of the fragmentary and the systemic, and by the viewer's relation to the work. Includes an interview with each artist and biographical notes. Circa 145 bibl. ref.

Key concepts: Sculpture, Relation (database), Visual arts, Art, Art history, Computer science, Database

Related papers

Related paper 1Related paper 2Related paper 3
Back to paper searchBrowse research topicsOriginal source
Possible Worlds : Sculpture from Europe — Research Paper | ScholarLens