2010Cambridge University Press eBooksRequires access

The Cambridge Handbook of Creativity

James C. Kaufman, Robert J. Sternberg, Robert S. Albert, John Baer, Ronald A. Beghetto, Adam S. Bristol, John F. Cabra, Bonnie Cramond, Arthur Cropley, David Cropley, Gregory J. Feist, Julie A. Fiorelli, Liane Gabora, Elena L. Grigorenko, Kyung Hee Kim, Beth A. Hennessey, Allison B. Kaufman, Scott Barry Kaufman, Yuliya Kolomyts, Sergey A. Kornilov, Aaron Kozbelt, Paul J. Locher, Todd Lubart, Matthew C. Makel, Seana Moran, Jonathan A. Plucker, Gerard J. Puccio, Ruth Richards, Mark A. Runco, Sandra W. Russ, R. Keith Sawyer, Paul Silvia, Dean Keith Simonton, Jeffrey K. Smith, Lisa F. Smith, Mei Tan, Joyce VanTassel-Baska, Thomas Ward

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Abstract

The Cambridge Handbook of Creativity is a comprehensive scholarly handbook on creativity from the most respected psychologists, researchers and educators. This handbook serves both as a thorough introduction to the field of creativity and as an invaluable reference and current source of important information. It covers such diverse topics as the brain, education, business, and world cultures. The first section, 'Basic Concepts', is designed to introduce readers to both the history of and key concepts in the field of creativity. The next section, 'Diverse Perspectives of Creativity', contains chapters on the many ways of approaching creativity. Several of these approaches, such as the functional, evolutionary, and neuroscientific approaches, have been invented or greatly reconceptualized in the last decade. The third section, 'Contemporary Debates', highlights ongoing topics that still inspire discussion. Finally, the editors summarize and discuss important concepts from the book and look to what lies ahead.

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What this paper is about

The Cambridge Handbook of Creativity is a comprehensive scholarly handbook on creativity from the most respected psychologists, researchers and educators. This handbook serves both as a thorough introduction to the field of creativity and as an invaluable reference and current source of important information. It covers such diverse topics as the brain, education, business, and world cultures. The first section, 'Basic Concepts', is designed to introduce readers to both the history of and key concepts in the field of creativity. The next section, 'Diverse Perspectives of Creativity', contains chapters on the many ways of approaching creativity. Several of these approaches, such as the functional, evolutionary, and neuroscientific approaches, have been invented or greatly reconceptualized in the last decade. The third section, 'Contemporary Debates', highlights ongoing topics that still inspire discussion. Finally, the editors summarize and discuss important concepts from the book and look to what lies ahead.

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Available abstract

The Cambridge Handbook of Creativity is a comprehensive scholarly handbook on creativity from the most respected psychologists, researchers and educators. This handbook serves both as a thorough introduction to the field of creativity and as an invaluable reference and current source of important information. It covers such diverse topics as the brain, education, business, and world cultures. The first section, 'Basic Concepts', is designed to introduce readers to both the history of and key concepts in the field of creativity. The next section, 'Diverse Perspectives of Creativity', contains chapters on the many ways of approaching creativity. Several of these approaches, such as the functional, evolutionary, and neuroscientific approaches, have been invented or greatly reconceptualized in the last decade. The third section, 'Contemporary Debates', highlights ongoing topics that still inspire discussion. Finally, the editors summarize and discuss important concepts from the book and look to what lies ahead.

Key concepts: Creativity, Section (typography), Field (mathematics), Engineering ethics, Creativity technique, Cognitive science, Epistemology, Psychology

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