Why always versatile?: dynamically customizable musical instruments facilitate expressive performances
Kazushi Nishimoto, Chika Oshima, Yohei Miyagawa
Abstract
Kazushi Nishimoto, Chika Oshima, Yohei Miyagawa
Abstract
In this paper, we discussadesign principle forthe musical instruments that are useful for both novices and professional musicians and that facilitate musically rich expression. We believe that the versatility of conventional musical instruments causesdifficulty in performance. By dynamically specializing a musical instrument for performing a specific (genre of)piece,the musical instrument could become more useful for performing the piece and facilitates expressive performance. Based on this idea, we developed two new types of musical instruments, i.e., a "given-melody-based musical instrument"and a"harmonic-function-basedmusical instrument." From the experimental results using two prototypes, we demonstrate the efficiency of the design principle.
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In this paper, we discussadesign principle forthe musical instruments that are useful for both novices and professional musicians and that facilitate musically rich expression. We believe that the versatility of conventional musical instruments causesdifficulty in performance. By dynamically specializing a musical instrument for performing a specific (genre of)piece,the musical instrument could become more useful for performing the piece and facilitates expressive performance. Based on this idea, we developed two new types of musical instruments, i.e., a "given-melody-based musical instrument"and a"harmonic-function-basedmusical instrument." From the experimental results using two prototypes, we demonstrate the efficiency of the design principle.
Key concepts: Musical, New Interfaces for Musical Expression, Musical instrument, Computer science, Function (biology), Musical expression, Human–computer interaction, Musical composition