2009•Medical Entomology and ZoologyRequires access

Munich: Its Golden Age of Art and Culture 1890 - 1920

Rainer Metzger, Christian Brandstätter

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Abstract

As the 20th century dawned, found itself at a high point in its cultural history. Often seen as provincial and parochial, it moved out of the shadow of Berlin and reinvented itself as a treasure house of art. A parade of artistic movements and breakaway groups took the limelight, from the innovative artists of the Secession and the Jugendstil to the bold colours and expressive harmonies of Der Blaue Reiter: Kandinsky, Marc and Macke. in was alive with a sense of celebration, buzzing with the seething life of its festivals and carnivals, theatres and cabarets. It became a haven and an inspiration to many: artists such as Paul Klee, Giorgio de Chirico and Marcel Duchamp, writers such as Thomas Mann and Stefan George, and political figures such as Lenin and Trotsky all spent time there. Munich 1900 is a profusely illustrated portrait of this vibrant cultural ferment and its most important protagonists.

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As the 20th century dawned, found itself at a high point in its cultural history. Often seen as provincial and parochial, it moved out of the shadow of Berlin and reinvented itself as a treasure house of art. A parade of artistic movements and breakaway groups took the limelight, from the innovative artists of the Secession and the Jugendstil to the bold colours and expressive harmonies of Der Blaue Reiter: Kandinsky, Marc and Macke. in was alive with a sense of celebration, buzzing with the seething life of its festivals and carnivals, theatres and cabarets. It became a haven and an inspiration to many: artists such as Paul Klee, Giorgio de Chirico and Marcel Duchamp, writers such as Thomas Mann and Stefan George, and political figures such as Lenin and Trotsky all spent time there. Munich 1900 is a profusely illustrated portrait of this vibrant cultural ferment and its most important protagonists.

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Available abstract

As the 20th century dawned, found itself at a high point in its cultural history. Often seen as provincial and parochial, it moved out of the shadow of Berlin and reinvented itself as a treasure house of art. A parade of artistic movements and breakaway groups took the limelight, from the innovative artists of the Secession and the Jugendstil to the bold colours and expressive harmonies of Der Blaue Reiter: Kandinsky, Marc and Macke. in was alive with a sense of celebration, buzzing with the seething life of its festivals and carnivals, theatres and cabarets. It became a haven and an inspiration to many: artists such as Paul Klee, Giorgio de Chirico and Marcel Duchamp, writers such as Thomas Mann and Stefan George, and political figures such as Lenin and Trotsky all spent time there. Munich 1900 is a profusely illustrated portrait of this vibrant cultural ferment and its most important protagonists.

Key concepts: Art history, Art, Portrait, Limelight, Parade, Shadow (psychology), Performance art, Politics

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