2002Medical Entomology and ZoologyRequires access

Type : no borders, no boundaries, no limits

Roger Walton

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Abstract

This is a slight pun on the typographic term 'sans' used to express the 'sans serif' style of typeface, but in the context of the book title expresses the notion of type without boundaries, or borders. Hence, the most exciting typography in the world. The book will encompass typographic design for print and screen, and also typeface design for print and screen. Work will be gathered from all over world thus reflecting the global nature of design influence on contemporary typography, and also reflecting the increasing influence web typography exerts upon print.

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What this paper is about

This is a slight pun on the typographic term 'sans' used to express the 'sans serif' style of typeface, but in the context of the book title expresses the notion of type without boundaries, or borders. Hence, the most exciting typography in the world. The book will encompass typographic design for print and screen, and also typeface design for print and screen. Work will be gathered from all over world thus reflecting the global nature of design influence on contemporary typography, and also reflecting the increasing influence web typography exerts upon print.

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Available abstract

This is a slight pun on the typographic term 'sans' used to express the 'sans serif' style of typeface, but in the context of the book title expresses the notion of type without boundaries, or borders. Hence, the most exciting typography in the world. The book will encompass typographic design for print and screen, and also typeface design for print and screen. Work will be gathered from all over world thus reflecting the global nature of design influence on contemporary typography, and also reflecting the increasing influence web typography exerts upon print.

Key concepts: Typeface, Typography, Style (visual arts), Context (archaeology), Art, Desktop publishing, Visual arts, History

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