The Music of Gustav Holst and Holst's Music Reconsidered
Imogen Holst
Abstract
Imogen Holst
Abstract
A leading figure of English music in the late nineteenth and early twentieth centuries, Gustav Holst is best known for his orchestral tour de force, The Planets. He composed music of startling originality in many forms, drawing inspiration from sources as varied as English folk-song, oriental melody, the Apocrypha, and Sanskrit literatures, as well as from such writers as Keats, Hardy, and Whitman. In this study of her father's music, Imogen Holst discusses Holst's pieces of the early 1890s, the musical consequences of his holiday in Algeria in 1908, problems of performance in ThePlanets, and editing Holt's music. The volume also includes a list of important dates in Holst's life, a list of his published work, and a bibliography.
OpenAlex reports 2 citations for this work. Citation counts describe recorded attention and do not establish research quality.
A contribution statement is not available in the OpenAlex record.
Method details are not available in the OpenAlex metadata.
Findings are not separately available in the OpenAlex metadata.
Limitations are not available in the OpenAlex metadata.
Application details are not available in the OpenAlex metadata.
A leading figure of English music in the late nineteenth and early twentieth centuries, Gustav Holst is best known for his orchestral tour de force, The Planets. He composed music of startling originality in many forms, drawing inspiration from sources as varied as English folk-song, oriental melody, the Apocrypha, and Sanskrit literatures, as well as from such writers as Keats, Hardy, and Whitman. In this study of her father's music, Imogen Holst discusses Holst's pieces of the early 1890s, the musical consequences of his holiday in Algeria in 1908, problems of performance in ThePlanets, and editing Holt's music. The volume also includes a list of important dates in Holst's life, a list of his published work, and a bibliography.
Key concepts: Originality, Musical, Art, Literature, Sanskrit, Performance art, Art history, Psychology