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Film After Jung: Post-Jungian Approaches to Film Theory

Gregory Matthew Singh

Abstract

Hauke, Foreword. Introduction: 'The Image and The Material'. Part I: Film Theory: A Critical Historiography. Film Matters, But How?, And Why? Film as Film Film as Art Film as Authored Artefact. Film and Audience, a 'Felt' Relation: The Politics of Cine-subjectivity. The Film as Political: Phenomenology and the Material World of the Film. Part II: Applying Key Jungian Concepts in Film Theory. Refitting the Notion of the Gaze: The 'I' That Sees and the 'Eye' That is Seen. Contrasexuality and Identification: Difference, Sameness and Gender in Film. Narrative and Myth, Heroes and Villains, Film and Television. Synchronicity and Space-time Transgression in Film and Video: Case Studies in Time Sculpture and Capture.

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Key concepts: Film theory, Film studies, Narrative, Art, Film analysis, Feature film, Gaze, Film genre