2004Unpublished venueRequires access

The Resistance to Poetry

James Longenbach

Open publisher page 30 citations

Abstract

This chapter explores the ways in which poets since the time of Callimachus have resisted their own usefulness. It suggests that a poem can't help but to be meaningful; it may speak as easily to one person as to a thousand. But especially when it has something urgent to say, a poem's power inheres less in its conclusions than in its propensity to resist them, demonstrating their inadequacy while moving inevitably toward them. At the same time, however, a poetry content with limitation would be merely as alluring as a poetry content with grandeur. Poets fear wisdom. This is why great poems threaten to feel beside the point precisely when we want them to reflect our importance: language returns our attention not to confirm what we know but to suggest that we might be different from ourselves.

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What this paper is about

This chapter explores the ways in which poets since the time of Callimachus have resisted their own usefulness. It suggests that a poem can't help but to be meaningful; it may speak as easily to one person as to a thousand. But especially when it has something urgent to say, a poem's power inheres less in its conclusions than in its propensity to resist them, demonstrating their inadequacy while moving inevitably toward them. At the same time, however, a poetry content with limitation would be merely as alluring as a poetry content with grandeur. Poets fear wisdom. This is why great poems threaten to feel beside the point precisely when we want them to reflect our importance: language returns our attention not to confirm what we know but to suggest that we might be different from ourselves.

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Available abstract

This chapter explores the ways in which poets since the time of Callimachus have resisted their own usefulness. It suggests that a poem can't help but to be meaningful; it may speak as easily to one person as to a thousand. But especially when it has something urgent to say, a poem's power inheres less in its conclusions than in its propensity to resist them, demonstrating their inadequacy while moving inevitably toward them. At the same time, however, a poetry content with limitation would be merely as alluring as a poetry content with grandeur. Poets fear wisdom. This is why great poems threaten to feel beside the point precisely when we want them to reflect our importance: language returns our attention not to confirm what we know but to suggest that we might be different from ourselves.

Key concepts: Poetry, Meaning (existential), Resistance (ecology), Wonder, Art, Reading (process), Literature, Literal and figurative language

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