Revisions of domesticity : selected texts of Elena Poniatowska, Gabriel García Márquez, and Isabel Allende
Lois K. Lawler
Abstract
Open-access reader
Lois K. Lawler
Abstract
Open-access reader
Each of these works reframes historical truth from the context of its own geographic and temporal perspective by the deployment of revisionist narrative approaches. In the first chapter of this study the works are situated within the literary production of each of the authors, as well as within the context of the historical and cultural development of Latin-American gender relations. Chapter Two discusses Poniatowska's use of the testimonial narrative approach in order to examine the marginalization of subaltern classes in Mexican society from the feminine perspective of Jesusa Palancares, a twentieth-century domestic worker. In Chapter Three, Garcia Marquez's creative interpretation centers on Erendira as a non-traditional fairy tale protagonist whose emancipation from domestic and familial subjugation metaphorically deconstructs the mythological history of Latin-American imperial dominance. The focus of the fourth chapter is on Allende's use of the narratological elements of the literary anatomy and the symbolic properties of food as a framework for a feminine manifesto of sexuality that incorporates the author's own metafictional memoir of her development as a woman and writer. The final chapter of this study identifies the works analyzed as integral components of the literary development of revisionist approaches to traditional genres and the renewed interest in domestic motifs.
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Each of these works reframes historical truth from the context of its own geographic and temporal perspective by the deployment of revisionist narrative approaches. In the first chapter of this study the works are situated within the literary production of each of the authors, as well as within the context of the historical and cultural development of Latin-American gender relations. Chapter Two discusses Poniatowska's use of the testimonial narrative approach in order to examine the marginalization of subaltern classes in Mexican society from the feminine perspective of Jesusa Palancares, a twentieth-century domestic worker. In Chapter Three, Garcia Marquez's creative interpretation centers on Erendira as a non-traditional fairy tale protagonist whose emancipation from domestic and familial subjugation metaphorically deconstructs the mythological history of Latin-American imperial dominance. The focus of the fourth chapter is on Allende's use of the narratological elements of the literary anatomy and the symbolic properties of food as a framework for a feminine manifesto of sexuality that incorporates the author's own metafictional memoir of her development as a woman and writer. The final chapter of this study identifies the works analyzed as integral components of the literary development of revisionist approaches to traditional genres and the renewed interest in domestic motifs.
Key concepts: Allende meteorite, Garcia, Art, Humanities, Physics, Astronomy, Chondrite, Meteorite