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Abstract
Heinrich Christoph Koch's Commentary on the Late-Eighteenth-Century Concerto: Towards an Understanding of Dialogue, Drama and Solo/Orchestra Relations in Mozart's Piano Concertos
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Heinrich Christoph Koch's Commentary on the Late-Eighteenth-Century Concerto: Towards an Understanding of Dialogue, Drama and Solo/Orchestra Relations in Mozart's Piano Concertos
Key concepts: Concerto, MOZART, Piano, Drama, Enlightenment, Literature, Art, Philosophy