2017Unpublished venueRequires access

Rethinking the Baroque

Helen Hills

Open publisher page 13 citations

Abstract

Contents: Section I Rethinking the Baroque: Introduction: Introduction: rethinking the Baroque, Helen Hills The Baroque: the grit in the oyster of art history, Helen Hills. Section II Baroque as Style: On sculptural relief: malerisch, the autonomy of artistic media and the beginnings of Baroque studies, Alina Payne Ottoman Baroque: the limits of style, Howard Caygill. Section III Rethinking Baroque Art History: Discomfited by the Baroque: a personal journey, Thomas DaCosta Kaufmann Reframing the Baroque: on idolatry and the threshold of humanity, Claire Farago. Section IV Baroque Traditions: Nicholas Hawksmoor's drawing technique of the 1690s and John Locke's Essay Concerning Human Understanding, Anthony Geraghty The real in the Rococo, Glenn Adamson. Section V Benjamin's Baroque: Benjamin and the Baroque: posing the question of historical time, Andrew Benjamin. Section VI Baroque Folds: Baroque matters, Mieke Bal The Baroque fold as map and as diagram, Tom Conley Bibliography Index.

About this research paper

What this paper is about

Contents: Section I Rethinking the Baroque: Introduction: Introduction: rethinking the Baroque, Helen Hills The Baroque: the grit in the oyster of art history, Helen Hills. Section II Baroque as Style: On sculptural relief: malerisch, the autonomy of artistic media and the beginnings of Baroque studies, Alina Payne Ottoman Baroque: the limits of style, Howard Caygill. Section III Rethinking Baroque Art History: Discomfited by the Baroque: a personal journey, Thomas DaCosta Kaufmann Reframing the Baroque: on idolatry and the threshold of humanity, Claire Farago. Section IV Baroque Traditions: Nicholas Hawksmoor's drawing technique of the 1690s and John Locke's Essay Concerning Human Understanding, Anthony Geraghty The real in the Rococo, Glenn Adamson. Section V Benjamin's Baroque: Benjamin and the Baroque: posing the question of historical time, Andrew Benjamin. Section VI Baroque Folds: Baroque matters, Mieke Bal The Baroque fold as map and as diagram, Tom Conley Bibliography Index.

Why it matters

OpenAlex reports 13 citations for this work. Citation counts describe recorded attention and do not establish research quality.

Key contribution

A contribution statement is not available in the OpenAlex record.

Method / approach

Method details are not available in the OpenAlex metadata.

Main findings

Findings are not separately available in the OpenAlex metadata.

Limitations

Limitations are not available in the OpenAlex metadata.

Applications

Application details are not available in the OpenAlex metadata.

Available abstract

Contents: Section I Rethinking the Baroque: Introduction: Introduction: rethinking the Baroque, Helen Hills The Baroque: the grit in the oyster of art history, Helen Hills. Section II Baroque as Style: On sculptural relief: malerisch, the autonomy of artistic media and the beginnings of Baroque studies, Alina Payne Ottoman Baroque: the limits of style, Howard Caygill. Section III Rethinking Baroque Art History: Discomfited by the Baroque: a personal journey, Thomas DaCosta Kaufmann Reframing the Baroque: on idolatry and the threshold of humanity, Claire Farago. Section IV Baroque Traditions: Nicholas Hawksmoor's drawing technique of the 1690s and John Locke's Essay Concerning Human Understanding, Anthony Geraghty The real in the Rococo, Glenn Adamson. Section V Benjamin's Baroque: Benjamin and the Baroque: posing the question of historical time, Andrew Benjamin. Section VI Baroque Folds: Baroque matters, Mieke Bal The Baroque fold as map and as diagram, Tom Conley Bibliography Index.

Key concepts: Baroque, Art, Philosophy, Art history

Related papers

Back to paper searchBrowse research topicsOriginal source
Rethinking the Baroque — Research Paper | ScholarLens