Layers: John Moores contemporary art painting prize show
Geraint Evans
Abstract
Geraint Evans
Abstract
Art in Britain is currently international. Dynamic fresh attention was called for: Chinese, Indian and Russian art. Artists experienced the richly diverse cultures and the audience became leisurely experts on contemporary art and enthusiastically tried to anticipate which new art will be the next hot topic. This may be a place for an attempt for anything: not only new, but also strictly traditional. People are encouraged to be interested in art in general and ready to have a look in relatively extensive way. British art in thick layers might be less anxious about the idea that only one or two powerful styles would survive and thrive. In fact, it could be more probable to survive and be successful when there is a situation of abundance of diversity in art: appreciation with a richer point of view. The internationalism in British art does not only stand for the artists and work, but also for the audience, approaching the work from various experiences. This exhibition is the first Korean introduction of British painting and the John Moores painting prize, the compact history of British painting. The most representative twenty six artists are selected by periods and styles. It is hoped to contribute to the forming of another layer in Korean art and the audience’s experiences, whose experience of British art has perhaps been focused on the phenomenon of the YBAs. It is perhaps nice to dream for us to be a reference for audiences to anticipate what kind of art will be the next rising one in this busy international art world.
A significance statement is not available in the OpenAlex record.
A contribution statement is not available in the OpenAlex record.
Method details are not available in the OpenAlex metadata.
Findings are not separately available in the OpenAlex metadata.
Limitations are not available in the OpenAlex metadata.
Application details are not available in the OpenAlex metadata.
Art in Britain is currently international. Dynamic fresh attention was called for: Chinese, Indian and Russian art. Artists experienced the richly diverse cultures and the audience became leisurely experts on contemporary art and enthusiastically tried to anticipate which new art will be the next hot topic. This may be a place for an attempt for anything: not only new, but also strictly traditional. People are encouraged to be interested in art in general and ready to have a look in relatively extensive way. British art in thick layers might be less anxious about the idea that only one or two powerful styles would survive and thrive. In fact, it could be more probable to survive and be successful when there is a situation of abundance of diversity in art: appreciation with a richer point of view. The internationalism in British art does not only stand for the artists and work, but also for the audience, approaching the work from various experiences. This exhibition is the first Korean introduction of British painting and the John Moores painting prize, the compact history of British painting. The most representative twenty six artists are selected by periods and styles. It is hoped to contribute to the forming of another layer in Korean art and the audience’s experiences, whose experience of British art has perhaps been focused on the phenomenon of the YBAs. It is perhaps nice to dream for us to be a reference for audiences to anticipate what kind of art will be the next rising one in this busy international art world.
Key concepts: Painting, Exhibition, Contemporary art, Modern art, Visual arts, Phenomenon, Art world, History of art