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Imperfect beauty : the making of contemporary fashion photographs

Charlotte Cotton

Open publisher page 11 citations

Abstract

Published to coincide with an exhibition in the Canon Photography Gallery at the V&A, this book looks at the work of key British photographers, art directors and stylists who changed the face of fashion photography in the 1990s. The images, chosen by the photographers themselves, demonstrate how, during the early 1990s, British photographers, stylists and art directors ruptured the style of fashion by using ordinary domestic locations, second-hand clothing and unconventional looking models. Quickly labelled grunge photography, this became the new fashion imagery of the decade. The illustrations show how the distinctions between editorial and advertising, photography and fine art and commercial styles became blurred while the growth in the number of magazines and the rise of the internet increased the scope and availability of fashion imagery. Through interviews and photographs, a style of photography emerges which has a harder edge and challenges previously accepted stereotypes of fashion and glamour.

About this research paper

What this paper is about

Published to coincide with an exhibition in the Canon Photography Gallery at the V&A, this book looks at the work of key British photographers, art directors and stylists who changed the face of fashion photography in the 1990s. The images, chosen by the photographers themselves, demonstrate how, during the early 1990s, British photographers, stylists and art directors ruptured the style of fashion by using ordinary domestic locations, second-hand clothing and unconventional looking models. Quickly labelled grunge photography, this became the new fashion imagery of the decade. The illustrations show how the distinctions between editorial and advertising, photography and fine art and commercial styles became blurred while the growth in the number of magazines and the rise of the internet increased the scope and availability of fashion imagery. Through interviews and photographs, a style of photography emerges which has a harder edge and challenges previously accepted stereotypes of fashion and glamour.

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OpenAlex reports 11 citations for this work. Citation counts describe recorded attention and do not establish research quality.

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Available abstract

Published to coincide with an exhibition in the Canon Photography Gallery at the V&A, this book looks at the work of key British photographers, art directors and stylists who changed the face of fashion photography in the 1990s. The images, chosen by the photographers themselves, demonstrate how, during the early 1990s, British photographers, stylists and art directors ruptured the style of fashion by using ordinary domestic locations, second-hand clothing and unconventional looking models. Quickly labelled grunge photography, this became the new fashion imagery of the decade. The illustrations show how the distinctions between editorial and advertising, photography and fine art and commercial styles became blurred while the growth in the number of magazines and the rise of the internet increased the scope and availability of fashion imagery. Through interviews and photographs, a style of photography emerges which has a harder edge and challenges previously accepted stereotypes of fashion and glamour.

Key concepts: Photography, Style (visual arts), Visual arts, Clothing, Beauty, Art, Exhibition, Aesthetics

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