2005Unpublished venueRequires access

From Renaissance to Baroque : change in instruments and instrumental music in the seventeenth century : proceedings of the National Early Music Association Conference held, in association with the Department of Music, University of York and the York Early Music Festival, at the University College of Ripon and York St. John, York, 2-4 July 1999

Jonathan P. Wainwright, Peter Holman

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Abstract

The contributors to this volume address such topics as the early history of the orchestra, iconography, pitch, and continuo practice, as well as questions relating specifically to the performance of baroque music.

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The contributors to this volume address such topics as the early history of the orchestra, iconography, pitch, and continuo practice, as well as questions relating specifically to the performance of baroque music.

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Available abstract

The contributors to this volume address such topics as the early history of the orchestra, iconography, pitch, and continuo practice, as well as questions relating specifically to the performance of baroque music.

Key concepts: Violin, Flute, Baroque, Art, Art history, The Renaissance, Style (visual arts), Performance art

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From Renaissance to Baroque : change in instruments and instrumental music in the seventeenth century : proceedings of the National Early Music Association Conference held, in association with the Department of Music, University of York and the York Early Music Festival, at the University College of Ripon and York St. John, York, 2-4 July 1999 — Research Paper | ScholarLens