Prophecy, Alchemy, and the End of Time: John of Rupescissa in the Late Middle Ages
Leah DeVun
Abstract
Leah DeVun
Abstract
List of IllustrationsAcknowledgments1. Introduction2. The Proving of Christendom3. John of Rupescissa's Vision of the End4. Alchemy in Theory and Practice5. Artists and the Art6. Metaphor and Alchemy7. The End of Nature8. ConclusionBibliographyNotesIndex
OpenAlex reports 24 citations for this work. Citation counts describe recorded attention and do not establish research quality.
A contribution statement is not available in the OpenAlex record.
Method details are not available in the OpenAlex metadata.
Findings are not separately available in the OpenAlex metadata.
Limitations are not available in the OpenAlex metadata.
Application details are not available in the OpenAlex metadata.
List of IllustrationsAcknowledgments1. Introduction2. The Proving of Christendom3. John of Rupescissa's Vision of the End4. Alchemy in Theory and Practice5. Artists and the Art6. Metaphor and Alchemy7. The End of Nature8. ConclusionBibliographyNotesIndex
Key concepts: Alchemy, Metaphor, Middle Ages, Literature, Art history, Art, Philosophy, Theology