June Wayne : the art of everything : a catalogue raisonné, 1936-2006
Robert Conway, Arthur Coleman Danto
Abstract
Robert Conway, Arthur Coleman Danto
Abstract
Since her first solo exhibition in 1935 at age of seventeen, June Wayne has achieved legendary status among twentieth-century American artists. Best known today for her work in and influence on printmaking and fine-art lithography, one of her most renowned achievements was founding of Tamarind Lithography Workshop in 1959. Under her direction, this workshop became one of most important focal points of a general revival of printmaking in United States - a revival that gave many other famous artists, including Willem de Kooning, Louise Nevelson, and Ed Ruscha, an opportunity to experiment in this format. Her own spectacular prints earned her estimable title the incontestable pioneer of contemporary lithography. But Wayne's artistic accomplishments are even richer than that. Throughout her career, she boldly explored a variety of media and aesthetic concepts. She worked in painting, tapestry, film, and video, always pushing limits of media to develop new techniques. She created optical long before it had a name and adapted Ben Day dots decades ahead of Pop Art. By time these styles moved into mainstream, Wayne was exploring new ideas and forms. The themes of her art are as varied as her styles and methods. Working from such wide-ranging influences as science, space exploration, literature, personal experience, and feminist theory, her work is always among most exciting, contemporary, and original being produced. Now, for first time, astounding range of Wayne's art is available in one comprehensive volume. Bringing together more than 600 examples of her paintings, prints, tapestries, drawings, films, and writings, this beautifully produced catalogue provides a balanced look at Wayne's long and varied career. Two essays, one by Robert P. Conway and other by Arthur C. Danto, offer scholarly commentary on individual works and address questions of interpretation and significance. Much of description about images, however, is provided in Wayne's own words, offering rare personal insights. A deserved tribute to a self-made woman who became one of twentieth century's most influential artists, this catalogue stands on its own as a comprehensive look at scope of Wayne's art, while also serving as a supplement to a traveling exhibition scheduled for several venues in 2006-2007.
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Since her first solo exhibition in 1935 at age of seventeen, June Wayne has achieved legendary status among twentieth-century American artists. Best known today for her work in and influence on printmaking and fine-art lithography, one of her most renowned achievements was founding of Tamarind Lithography Workshop in 1959. Under her direction, this workshop became one of most important focal points of a general revival of printmaking in United States - a revival that gave many other famous artists, including Willem de Kooning, Louise Nevelson, and Ed Ruscha, an opportunity to experiment in this format. Her own spectacular prints earned her estimable title the incontestable pioneer of contemporary lithography. But Wayne's artistic accomplishments are even richer than that. Throughout her career, she boldly explored a variety of media and aesthetic concepts. She worked in painting, tapestry, film, and video, always pushing limits of media to develop new techniques. She created optical long before it had a name and adapted Ben Day dots decades ahead of Pop Art. By time these styles moved into mainstream, Wayne was exploring new ideas and forms. The themes of her art are as varied as her styles and methods. Working from such wide-ranging influences as science, space exploration, literature, personal experience, and feminist theory, her work is always among most exciting, contemporary, and original being produced. Now, for first time, astounding range of Wayne's art is available in one comprehensive volume. Bringing together more than 600 examples of her paintings, prints, tapestries, drawings, films, and writings, this beautifully produced catalogue provides a balanced look at Wayne's long and varied career. Two essays, one by Robert P. Conway and other by Arthur C. Danto, offer scholarly commentary on individual works and address questions of interpretation and significance. Much of description about images, however, is provided in Wayne's own words, offering rare personal insights. A deserved tribute to a self-made woman who became one of twentieth century's most influential artists, this catalogue stands on its own as a comprehensive look at scope of Wayne's art, while also serving as a supplement to a traveling exhibition scheduled for several venues in 2006-2007.
Key concepts: Printmaking, Exhibition, Art, Painting, Visual arts, Mainstream, Art history, Style (visual arts)