2012Unpublished venueRequires access

Photography and China

C Roberts

Open publisher page 6 citations

Abstract

Photography and China is the first overview of the subject to be published in English, providing a comprehensive account of this previously neglected relationship. Spanning the period from the inception of photography until the present, the book foregrounds Chinese photographers and subjects, and draws on works in museum, archival and private collections across China, the USA, Europe and Australia. Taking a thematic approach to her historical survey, Claire Roberts brings together commercial, art and documentary photography, locating the images within the broader context of Chinese history. With a constant focus on the images, and the studios or individuals that created them, Roberts describes the long tradition of Chinese artistic culture into which photography was at first absorbed, and which it subsequently expanded. She recounts the stories of practitioners who were agents in that process of change, both from China and overseas, and examines the different purposes for which they used photography, be they commercial, political or artistic. Featuring a strong narrative and numerous striking images, many unfamiliar to a Western audience, Photography and China will appeal to all those with an interest in China, photography, Chinese art and visual culture, or twentieth-century history and society. The book will also be relevant to a general audience, as well as students, scholars, photographers, curators and collectors.

About this research paper

What this paper is about

Photography and China is the first overview of the subject to be published in English, providing a comprehensive account of this previously neglected relationship. Spanning the period from the inception of photography until the present, the book foregrounds Chinese photographers and subjects, and draws on works in museum, archival and private collections across China, the USA, Europe and Australia. Taking a thematic approach to her historical survey, Claire Roberts brings together commercial, art and documentary photography, locating the images within the broader context of Chinese history. With a constant focus on the images, and the studios or individuals that created them, Roberts describes the long tradition of Chinese artistic culture into which photography was at first absorbed, and which it subsequently expanded. She recounts the stories of practitioners who were agents in that process of change, both from China and overseas, and examines the different purposes for which they used photography, be they commercial, political or artistic. Featuring a strong narrative and numerous striking images, many unfamiliar to a Western audience, Photography and China will appeal to all those with an interest in China, photography, Chinese art and visual culture, or twentieth-century history and society. The book will also be relevant to a general audience, as well as students, scholars, photographers, curators and collectors.

Why it matters

OpenAlex reports 6 citations for this work. Citation counts describe recorded attention and do not establish research quality.

Key contribution

A contribution statement is not available in the OpenAlex record.

Method / approach

Method details are not available in the OpenAlex metadata.

Main findings

Findings are not separately available in the OpenAlex metadata.

Limitations

Limitations are not available in the OpenAlex metadata.

Applications

Application details are not available in the OpenAlex metadata.

Available abstract

Photography and China is the first overview of the subject to be published in English, providing a comprehensive account of this previously neglected relationship. Spanning the period from the inception of photography until the present, the book foregrounds Chinese photographers and subjects, and draws on works in museum, archival and private collections across China, the USA, Europe and Australia. Taking a thematic approach to her historical survey, Claire Roberts brings together commercial, art and documentary photography, locating the images within the broader context of Chinese history. With a constant focus on the images, and the studios or individuals that created them, Roberts describes the long tradition of Chinese artistic culture into which photography was at first absorbed, and which it subsequently expanded. She recounts the stories of practitioners who were agents in that process of change, both from China and overseas, and examines the different purposes for which they used photography, be they commercial, political or artistic. Featuring a strong narrative and numerous striking images, many unfamiliar to a Western audience, Photography and China will appeal to all those with an interest in China, photography, Chinese art and visual culture, or twentieth-century history and society. The book will also be relevant to a general audience, as well as students, scholars, photographers, curators and collectors.

Key concepts: Photography, China, Appeal, History of photography, Context (archaeology), Subject (documents), Studio, Visual arts

Related papers

Back to paper searchBrowse research topicsOriginal source
Photography and China — Research Paper | ScholarLens