2006•QUT ePrints (Queensland University of Technology)Open access

The Ambidrum: Automated Rhythmic Improvisation

Toby Gifford, Andrew R. Brown

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Abstract

This paper outlines a system for machine improvisation with a human performer where the focus is limited to the provision of rhythmic complementarity. Complementarity is achieved through the real-time measurement of metrical coherence in currently playing rhythmic material that informs the generation of subsequent material. A robust computational approach building on recent theories of improvisational intelligence and situated cognition is described. This algorithm can be effective across a range of musical styles.

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What this paper is about

This paper outlines a system for machine improvisation with a human performer where the focus is limited to the provision of rhythmic complementarity. Complementarity is achieved through the real-time measurement of metrical coherence in currently playing rhythmic material that informs the generation of subsequent material. A robust computational approach building on recent theories of improvisational intelligence and situated cognition is described. This algorithm can be effective across a range of musical styles.

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Available abstract

This paper outlines a system for machine improvisation with a human performer where the focus is limited to the provision of rhythmic complementarity. Complementarity is achieved through the real-time measurement of metrical coherence in currently playing rhythmic material that informs the generation of subsequent material. A robust computational approach building on recent theories of improvisational intelligence and situated cognition is described. This algorithm can be effective across a range of musical styles.

Key concepts: Improvisation, Rhythm, Complementarity (molecular biology), Situated, Computer science, Chord (peer-to-peer), Focus (optics), Coherence (philosophical gambling strategy)

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