2015Zeitschrift für Medien- und KulturforschungOpen access

Über das Dokumentarische

Harun Farocki

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Abstract

The remarks »On the Documentary« that are published here are not supposed to explain conceptually what exactly the documentary is and by which means it can be distinguished from the fictive, but what the film itself counts to be documentary and how the documentary is produced by film. An essential difference between fictional and documentary film is the difference between an anticipating and a pursuing camera.

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What this paper is about

The remarks »On the Documentary« that are published here are not supposed to explain conceptually what exactly the documentary is and by which means it can be distinguished from the fictive, but what the film itself counts to be documentary and how the documentary is produced by film. An essential difference between fictional and documentary film is the difference between an anticipating and a pursuing camera.

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Available abstract

The remarks »On the Documentary« that are published here are not supposed to explain conceptually what exactly the documentary is and by which means it can be distinguished from the fictive, but what the film itself counts to be documentary and how the documentary is produced by film. An essential difference between fictional and documentary film is the difference between an anticipating and a pursuing camera.

Key concepts: Documentary film, Documentary evidence, Art, Art history, History, Archaeology

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