Nicole M. Costantini
Abstract
This essay is a response to Kirt A. Shineman’s Last Words, staged at the NCA Annual Convention in November 2021. The author uses this essay to reflect upon the potential impacts of experimental, audience-activated performance work and the challenges of adapting immersive performance for conference spaces.
A significance statement is not available in the OpenAlex record.
A contribution statement is not available in the OpenAlex record.
Method details are not available in the OpenAlex metadata.
Findings are not separately available in the OpenAlex metadata.
Limitations are not available in the OpenAlex metadata.
Application details are not available in the OpenAlex metadata.
This essay is a response to Kirt A. Shineman’s Last Words, staged at the NCA Annual Convention in November 2021. The author uses this essay to reflect upon the potential impacts of experimental, audience-activated performance work and the challenges of adapting immersive performance for conference spaces.
Key concepts: Performing arts, Convention, Audience response, Visual arts, Media studies, Sociology, Aesthetics, History