2021Jazz Education in Research and PracticeRequires access

Treatments of the ii-V7-I Chord Progression in Jazz Improvisation: An Analysis of Phrases Used by Hank Mobley, John Coltrane, Sonny Rollins, and Dexter Gordon

D. K. Detweiler

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Abstract

The art of jazz improvisation demands that jazz performers create musical ideas in real time based on the harmonic and melodic structure of a song. The study and transcription of the jazz masters is crucial in understanding the art of improvisation. This article demonstrates how master jazz performers use the ii-V7-I chord progression in improvisational practice. This chord progression is essential to jazz improvisation and has been handled by jazz musicians in many different ways. This compilation of ii-V7-I improvisatory phrases will include a brief analysis of each idea. These analyses will display the artists' similarities and differences in personal style.

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What this paper is about

The art of jazz improvisation demands that jazz performers create musical ideas in real time based on the harmonic and melodic structure of a song. The study and transcription of the jazz masters is crucial in understanding the art of improvisation. This article demonstrates how master jazz performers use the ii-V7-I chord progression in improvisational practice. This chord progression is essential to jazz improvisation and has been handled by jazz musicians in many different ways. This compilation of ii-V7-I improvisatory phrases will include a brief analysis of each idea. These analyses will display the artists' similarities and differences in personal style.

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Available abstract

The art of jazz improvisation demands that jazz performers create musical ideas in real time based on the harmonic and melodic structure of a song. The study and transcription of the jazz masters is crucial in understanding the art of improvisation. This article demonstrates how master jazz performers use the ii-V7-I chord progression in improvisational practice. This chord progression is essential to jazz improvisation and has been handled by jazz musicians in many different ways. This compilation of ii-V7-I improvisatory phrases will include a brief analysis of each idea. These analyses will display the artists' similarities and differences in personal style.

Key concepts: Jazz, Improvisation, Chord (peer-to-peer), Melody, Musical, Art, Visual arts, Aesthetics

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Treatments of the ii-V7-I Chord Progression in Jazz Improvisation: An Analysis of Phrases Used by Hank Mobley, John Coltrane, Sonny Rollins, and Dexter Gordon — Research Paper | ScholarLens