2021Black CameraRequires access

Too Hot for TV: Black Sketch Comedy and the Politics of Crossing-Over

Artel Great

Open publisher page 3 citations

Abstract

Sketch comedy has long been an important site for the interrogation of representational politics. Particularly, Black American sketch comedy television programs have often operated as subversive vehicles that employ humor as a strategy to challenge racialized anxieties in our nation's social imaginary. This study engages the underexplored history of the Black sketch comedy series as a critical space that elicits, structures, and facilitates the use of humor as a form of resistance to oppressive systems.

About this research paper

What this paper is about

Sketch comedy has long been an important site for the interrogation of representational politics. Particularly, Black American sketch comedy television programs have often operated as subversive vehicles that employ humor as a strategy to challenge racialized anxieties in our nation's social imaginary. This study engages the underexplored history of the Black sketch comedy series as a critical space that elicits, structures, and facilitates the use of humor as a form of resistance to oppressive systems.

Why it matters

OpenAlex reports 3 citations for this work. Citation counts describe recorded attention and do not establish research quality.

Key contribution

A contribution statement is not available in the OpenAlex record.

Method / approach

Method details are not available in the OpenAlex metadata.

Main findings

Findings are not separately available in the OpenAlex metadata.

Limitations

Limitations are not available in the OpenAlex metadata.

Applications

Application details are not available in the OpenAlex metadata.

Available abstract

Sketch comedy has long been an important site for the interrogation of representational politics. Particularly, Black American sketch comedy television programs have often operated as subversive vehicles that employ humor as a strategy to challenge racialized anxieties in our nation's social imaginary. This study engages the underexplored history of the Black sketch comedy series as a critical space that elicits, structures, and facilitates the use of humor as a form of resistance to oppressive systems.

Key concepts: Comedy, Sketch, Interrogation, Politics, The Imaginary, Sociology, Space (punctuation), Art

Related papers

Back to paper searchBrowse research topicsOriginal source
Too Hot for TV: Black Sketch Comedy and the Politics of Crossing-Over — Research Paper | ScholarLens