2020•Unpublished venueRequires access

'Plug in and Play!' UK 'Indie-Guitar' Culture

Andy Bennett

Open publisher page 4 citations

Abstract

This chapter examines the construction and representation of gender, so central to issues of production and performance across a range of popular music styles, manifests itself in relation to indie-guitar culture. In the context of the UK, ‘indie-guitar’ has become an essentially generic term in popular music vocabulary to describe a loosely defined, guitar-based sound and its attendant performance and consumption aesthetic. The expressed ‘openness’ of indie-guitar culture is in fact grounded in a series of hardened discourses that have been established by male indie-guitar bands, their predominantly male audiences and the male journalists and writers who have effectively ‘written’ the indie-guitar scene into existence, and constructed its ‘history’, on male terms.

About this research paper

What this paper is about

This chapter examines the construction and representation of gender, so central to issues of production and performance across a range of popular music styles, manifests itself in relation to indie-guitar culture. In the context of the UK, ‘indie-guitar’ has become an essentially generic term in popular music vocabulary to describe a loosely defined, guitar-based sound and its attendant performance and consumption aesthetic. The expressed ‘openness’ of indie-guitar culture is in fact grounded in a series of hardened discourses that have been established by male indie-guitar bands, their predominantly male audiences and the male journalists and writers who have effectively ‘written’ the indie-guitar scene into existence, and constructed its ‘history’, on male terms.

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OpenAlex reports 4 citations for this work. Citation counts describe recorded attention and do not establish research quality.

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Available abstract

This chapter examines the construction and representation of gender, so central to issues of production and performance across a range of popular music styles, manifests itself in relation to indie-guitar culture. In the context of the UK, ‘indie-guitar’ has become an essentially generic term in popular music vocabulary to describe a loosely defined, guitar-based sound and its attendant performance and consumption aesthetic. The expressed ‘openness’ of indie-guitar culture is in fact grounded in a series of hardened discourses that have been established by male indie-guitar bands, their predominantly male audiences and the male journalists and writers who have effectively ‘written’ the indie-guitar scene into existence, and constructed its ‘history’, on male terms.

Key concepts: Guitar, Indie film, Art, Visual arts, Acoustics, Physics

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