Symbolic Violence and the Social Space: Self-imposing the Mark of Disgrace?
Johan Lindell
Abstract
Johan Lindell
Abstract
A great amount of effort has gone into studying correspondences between contemporary class structures and the distribution of lifestyles and media practices therein. Structural overlaps between these spaces imply the existence of a symbolic order, where dominant factions of society constitute taste keepers endowed with the power to stigmatize those below them in the social hierarchy. Yet, research has not come to terms with the reach and depth of this symbolic order. This study combines the Bourdieusian approach with recent developments in stigma research and the notion of felt stigma. Using multiple correspondence analysis on a survey with the adult Swedish population (n = 2003) findings align with previous research in that the social space is built around capital volume and capital composition, and that media practices connect to that structure. This symbolic order is not, however, internalized by people at lower social positions. Instead, it is people invested in culture and arts – a cultural middle-class – who are most likely to anticipate that others would look down on their practices and preferences.
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A great amount of effort has gone into studying correspondences between contemporary class structures and the distribution of lifestyles and media practices therein. Structural overlaps between these spaces imply the existence of a symbolic order, where dominant factions of society constitute taste keepers endowed with the power to stigmatize those below them in the social hierarchy. Yet, research has not come to terms with the reach and depth of this symbolic order. This study combines the Bourdieusian approach with recent developments in stigma research and the notion of felt stigma. Using multiple correspondence analysis on a survey with the adult Swedish population (n = 2003) findings align with previous research in that the social space is built around capital volume and capital composition, and that media practices connect to that structure. This symbolic order is not, however, internalized by people at lower social positions. Instead, it is people invested in culture and arts – a cultural middle-class – who are most likely to anticipate that others would look down on their practices and preferences.
Key concepts: Symbolic power, Sociology, The Symbolic, Symbolic capital, Taste, Symbolic interactionism, Cultural capital, Social order