A Second-Order Gradient Noise Canceling Microphone Using a Single Diaphragm
W. A. Beaverson, A. M. Wiggins
Abstract
W. A. Beaverson, A. M. Wiggins
Abstract
A close talking, noise canceling microphone has been developed which responds to the second order of the pressure gradient and which has only one diaphragm. Since there are four sound pressures involved in a second-order gradient microphone it has been deemed necessary in the past to have four surfaces for the four pressures to act upon. This microphone has sound entrances to the two surfaces of a single diaphragm spaced and oriented in such a manner as to produce the second-order effect, thereby increasing the signal-to-noise ratio over that obtained in a first-order gradient microphone. Mathematical analyses are made of the microphone first as a purely theoretical microphone with infinitesimal spacing of the sound entrances, then as a microphone with dimensions between sound entrances which are practical for use in a microphone of this type.
OpenAlex reports 6 citations for this work. Citation counts describe recorded attention and do not establish research quality.
A contribution statement is not available in the OpenAlex record.
Method details are not available in the OpenAlex metadata.
Findings are not separately available in the OpenAlex metadata.
Limitations are not available in the OpenAlex metadata.
Application details are not available in the OpenAlex metadata.
A close talking, noise canceling microphone has been developed which responds to the second order of the pressure gradient and which has only one diaphragm. Since there are four sound pressures involved in a second-order gradient microphone it has been deemed necessary in the past to have four surfaces for the four pressures to act upon. This microphone has sound entrances to the two surfaces of a single diaphragm spaced and oriented in such a manner as to produce the second-order effect, thereby increasing the signal-to-noise ratio over that obtained in a first-order gradient microphone. Mathematical analyses are made of the microphone first as a purely theoretical microphone with infinitesimal spacing of the sound entrances, then as a microphone with dimensions between sound entrances which are practical for use in a microphone of this type.
Key concepts: Microphone, Noise-canceling microphone, Acoustics, Diaphragm (acoustics), Noise (video), Sound pressure, Microphone array, Sound (geography)