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The Postmodern Gene: Does Post-Capitalism Mean Post-Postmodernism?

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Abstract

The article examines a problem besetting social theory and theory of culture: the problem of using postmodernism as a language for describing the 21st century. The author resorts to the umbrella term “post-postmodernism” to indicate the more complex theories that focus mainly on the analysis of the latest forms of capitalism rather than the concepts that other themselves as direct alternatives to postmodernism even though they ignore the link between postmodernism and capitalism. The author takes up the idea, first argued for by the American Marxist philosopher Fredric Jameson, that postmodernism is the cultural logic of late capitalism and then uses Jameson’s approach in an attempt to retrace the continuity of new concepts of capitalism. The discussion begins with the theory of capitalist realism developed by leftist British thinker Mark Fisher. Fisher recognizes Jameson’s merits but takes exception to the term “postmodernism,” although the entire philosophical apparatus that Fisher uses is borrowed from Jameson’s work. The article then bridges the gap between capitalist realism and the latest left-wing theories such as accelerationism and post-capitalism. After tracing the close connection between the work of Mark Fisher and Nick Land, who worked together in the 1990’s at the Cybernetic Culture Research Unit (CCRU) and the ideas of Nick Srnicek, the author asks why Srnicek and his colleagues are put off by Fredric Jameson’s postmodern theory. The answer is that postmodernism does not permit contemporary leftists to speculate about the future. However, as the author points out, Jameson’s ideas about postmodernism at the “genetic level” are implicit in Srnicek’s concept of post-capitalism, which makes Srnicek’s theory “post-postmodernist,” although as a negative variation (in contrast to Mark Fisher’s positive one).

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What this paper is about

The article examines a problem besetting social theory and theory of culture: the problem of using postmodernism as a language for describing the 21st century. The author resorts to the umbrella term “post-postmodernism” to indicate the more complex theories that focus mainly on the analysis of the latest forms of capitalism rather than the concepts that other themselves as direct alternatives to postmodernism even though they ignore the link between postmodernism and capitalism. The author takes up the idea, first argued for by the American Marxist philosopher Fredric Jameson, that postmodernism is the cultural logic of late capitalism and then uses Jameson’s approach in an attempt to retrace the continuity of new concepts of capitalism. The discussion begins with the theory of capitalist realism developed by leftist British thinker Mark Fisher. Fisher recognizes Jameson’s merits but takes exception to the term “postmodernism,” although the entire philosophical apparatus that Fisher uses is borrowed from Jameson’s work. The article then bridges the gap between capitalist realism and the latest left-wing theories such as accelerationism and post-capitalism. After tracing the close connection between the work of Mark Fisher and Nick Land, who worked together in the 1990’s at the Cybernetic Culture Research Unit (CCRU) and the ideas of Nick Srnicek, the author asks why Srnicek and his colleagues are put off by Fredric Jameson’s postmodern theory. The answer is that postmodernism does not permit contemporary leftists to speculate about the future. However, as the author points out, Jameson’s ideas about postmodernism at the “genetic level” are implicit in Srnicek’s concept of post-capitalism, which makes Srnicek’s theory “post-postmodernist,” although as a negative variation (in contrast to Mark Fisher’s positive one).

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Available abstract

The article examines a problem besetting social theory and theory of culture: the problem of using postmodernism as a language for describing the 21st century. The author resorts to the umbrella term “post-postmodernism” to indicate the more complex theories that focus mainly on the analysis of the latest forms of capitalism rather than the concepts that other themselves as direct alternatives to postmodernism even though they ignore the link between postmodernism and capitalism. The author takes up the idea, first argued for by the American Marxist philosopher Fredric Jameson, that postmodernism is the cultural logic of late capitalism and then uses Jameson’s approach in an attempt to retrace the continuity of new concepts of capitalism. The discussion begins with the theory of capitalist realism developed by leftist British thinker Mark Fisher. Fisher recognizes Jameson’s merits but takes exception to the term “postmodernism,” although the entire philosophical apparatus that Fisher uses is borrowed from Jameson’s work. The article then bridges the gap between capitalist realism and the latest left-wing theories such as accelerationism and post-capitalism. After tracing the close connection between the work of Mark Fisher and Nick Land, who worked together in the 1990’s at the Cybernetic Culture Research Unit (CCRU) and the ideas of Nick Srnicek, the author asks why Srnicek and his colleagues are put off by Fredric Jameson’s postmodern theory. The answer is that postmodernism does not permit contemporary leftists to speculate about the future. However, as the author points out, Jameson’s ideas about postmodernism at the “genetic level” are implicit in Srnicek’s concept of post-capitalism, which makes Srnicek’s theory “post-postmodernist,” although as a negative variation (in contrast to Mark Fisher’s positive one).

Key concepts: Postmodernism, Capitalism, Late capitalism, Marxist philosophy, Sociology, Postmodern music, Epistemology, Philosophy

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