The cinematic aspects of electroacoustic music : a thesis submitted to Massey University and Victoria University of Wellington in fulfillment of the requirements for the degree of Master of Music in Composition, New Zealand School of Music

This portfolio explores ‘the cinematic aspects of electroacoustic music’ by way of three \ncompositional contexts: acousmatic composition drawing on filmic resources, \nelectroacoustic soundtracks for short films, and the narrative and imagic aspects of \narchival recordings. Additionally, a research report provides commentary on the \naesthetic and methodological aspects of the portfolio.