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Special Affects: The Photographic Experience in Contemporary Art

Daniela M. Salvioni, Gregorio Magnani, Dennis Adams, John Baldessari, Alan Belcher, Jennifer Bolande, Victor Burgin, Günther Förg, Alfredo Jaar, Imi Knoebel, Karen Knorr, Joseph Kosuth, Barbara Kruger, Marie-Jo Lafontaine, Bertrand Lavier, Louise Lawler, Sherrie Levine, Ken Lum, Leonel Moura, Péter Nagy, Giulio Paolini, Michelangelo Pistoletto, Richard Prince, Olivier Richon, Christiane Richter, Gerhard Richter, David O. Robbins, Thomas Ruff, Cindy Sherman, Jeff Wall, Andy Warhol

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Abstract

Essays by Magnani, Salvioni and Verzotti call attention to how thirty-three contemporary artists deconstruct socio-cultural codes by employing postmodern media-oriented practices. The concepts of authorship, autonomy and originality are discussed in relation to the modernist avant-garde's critique of the spectacle. Includes artists' statements. Brief biographical notes on artists. 16 bibl. ref.

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What this paper is about

Essays by Magnani, Salvioni and Verzotti call attention to how thirty-three contemporary artists deconstruct socio-cultural codes by employing postmodern media-oriented practices. The concepts of authorship, autonomy and originality are discussed in relation to the modernist avant-garde's critique of the spectacle. Includes artists' statements. Brief biographical notes on artists. 16 bibl. ref.

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Available abstract

Essays by Magnani, Salvioni and Verzotti call attention to how thirty-three contemporary artists deconstruct socio-cultural codes by employing postmodern media-oriented practices. The concepts of authorship, autonomy and originality are discussed in relation to the modernist avant-garde's critique of the spectacle. Includes artists' statements. Brief biographical notes on artists. 16 bibl. ref.

Key concepts: Spectacle, Postmodernism, Originality, Autonomy, Art, Contemporary art, Relation (database), Modernism (music)

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