2021Canadian Journal of Disability StudiesOpen access

Editorial Introduction to VIBE Special Issue

Ash McAskill, Kim Sawchuk, Samuel Thulin

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Abstract

This special issue of the Canadian Journal of Disability Studies is a result of the activity surrounding VIBE: Challenging ableism and audism through the arts, a 3-day international symposium exploring the existing and potential contributions of the Deaf/disability arts to aesthetic innovations, research-creation and cultural change in attitudes towards the capacities of the Deaf/disabled. The symposium, which took place at Concordia University from November 30 - December 2, 2018, brought together Deaf/disabled academics, emerging scholars, post-doctoral researchers, activists, artists, and students – and their allies – for vibrant exchanges on the relationship between disability arts research and disability arts practice.

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This special issue of the Canadian Journal of Disability Studies is a result of the activity surrounding VIBE: Challenging ableism and audism through the arts, a 3-day international symposium exploring the existing and potential contributions of the Deaf/disability arts to aesthetic innovations, research-creation and cultural change in attitudes towards the capacities of the Deaf/disabled. The symposium, which took place at Concordia University from November 30 - December 2, 2018, brought together Deaf/disabled academics, emerging scholars, post-doctoral researchers, activists, artists, and students – and their allies – for vibrant exchanges on the relationship between disability arts research and disability arts practice.

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Available abstract

This special issue of the Canadian Journal of Disability Studies is a result of the activity surrounding VIBE: Challenging ableism and audism through the arts, a 3-day international symposium exploring the existing and potential contributions of the Deaf/disability arts to aesthetic innovations, research-creation and cultural change in attitudes towards the capacities of the Deaf/disabled. The symposium, which took place at Concordia University from November 30 - December 2, 2018, brought together Deaf/disabled academics, emerging scholars, post-doctoral researchers, activists, artists, and students – and their allies – for vibrant exchanges on the relationship between disability arts research and disability arts practice.

Key concepts: Ableism, The arts, Disability studies, Sociology, Disabled people, Gender studies, Media studies, Political science

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