论莫言文学创作的“民间观” :对民间批评理论的另类阐释
鄒志遠, 王逸竹
Abstract
鄒志遠, 王逸竹
Abstract
Since the publication of Mo Yan’s “Red Sorghum”,the academic circles have paid much attention to the folk standpoint and the creation of “folk world” in the literature of Mo Yan. In this of “folk criticism” means,the critics advertised the “folk character” of the Mo Yan’s literature and advocated the writer’s “folk” culture values and folk view. The generalization of this kind of “folk criticism” means that there is a lack of rational attenation and excavation to the “real folk” written by the author. As the same time, it also produces a false judgment on the relationship between interllectuals and the folk. The article attempts from the writer’s “folk position”,“folk language” and “folk world” three accepts to clarify the basic relationship between Mo Yan and “folk”,enshrined in the creation of Mo Yan’s “folk”.
A significance statement is not available in the OpenAlex record.
A contribution statement is not available in the OpenAlex record.
Method details are not available in the OpenAlex metadata.
Findings are not separately available in the OpenAlex metadata.
Limitations are not available in the OpenAlex metadata.
Application details are not available in the OpenAlex metadata.
Since the publication of Mo Yan’s “Red Sorghum”,the academic circles have paid much attention to the folk standpoint and the creation of “folk world” in the literature of Mo Yan. In this of “folk criticism” means,the critics advertised the “folk character” of the Mo Yan’s literature and advocated the writer’s “folk” culture values and folk view. The generalization of this kind of “folk criticism” means that there is a lack of rational attenation and excavation to the “real folk” written by the author. As the same time, it also produces a false judgment on the relationship between interllectuals and the folk. The article attempts from the writer’s “folk position”,“folk language” and “folk world” three accepts to clarify the basic relationship between Mo Yan and “folk”,enshrined in the creation of Mo Yan’s “folk”.
Key concepts: Folk religion, Folk culture, Criticism, Character (mathematics), Folklore, Literature, History, Philosophy