Revealing the essence of the sacred

This research project, ‘Revealing the Essence of the Sacred’, examines the archetypal forms of the dot, cross and the mandorla. Their appearance and meaning are traced back through history and across cultures. The commonalities between the physical act of making imagery using these pared back abstracted forms and the experience, in the maker, of embodied immanence are examined. By extension the research also considers how creating and contemplating artwork can be a curative spiritual practice. I identify how the artwork correlates with, and is informed by, my spiritual practice. The research takes a phenomenological approach and is based on my own subjective experience of bodily sensed knowledge whilst making and viewing the image. Intuitively accessing the source or essence of the subject matter has been a primary motivating factor in the images used in the artwork. This approach is grounded in the innate belief that what has been distilled and purified has great transformative power. Informing this is an alignment with both the Jungian Collective Unconscious and the ancient Indian spiritual system of Tantra. The artworks, rendered within a ritualistic structure and using abstracted form, are an individual expression of the universality of intuitive mark making. A similar connection is established in the practice of contemporary artists who strongly identify with a level of spirituality in their personal lives