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The Sublime and the Abject in Albert Serra’s Cinema

Vedant Srinivas

Open publisher page 3 citations

Abstract

In the words of Olivier Père, Serra’s discoverer at the Cannes Festival Directors’ Fortnight, Serra’s cinema ‘represents the loveliest cinematographic appearance in the 2000s, because it is complet...

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What this paper is about

In the words of Olivier Père, Serra’s discoverer at the Cannes Festival Directors’ Fortnight, Serra’s cinema ‘represents the loveliest cinematographic appearance in the 2000s, because it is complet...

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OpenAlex reports 3 citations for this work. Citation counts describe recorded attention and do not establish research quality.

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Available abstract

In the words of Olivier Père, Serra’s discoverer at the Cannes Festival Directors’ Fortnight, Serra’s cinema ‘represents the loveliest cinematographic appearance in the 2000s, because it is complet...

Key concepts: Sublime, Movie theater, Art, Art history, Visual arts, Aesthetics

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