The Sublime and the Abject in Albert Serra’s Cinema
Vedant Srinivas
Abstract
Vedant Srinivas
Abstract
In the words of Olivier Père, Serra’s discoverer at the Cannes Festival Directors’ Fortnight, Serra’s cinema ‘represents the loveliest cinematographic appearance in the 2000s, because it is complet...
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In the words of Olivier Père, Serra’s discoverer at the Cannes Festival Directors’ Fortnight, Serra’s cinema ‘represents the loveliest cinematographic appearance in the 2000s, because it is complet...
Key concepts: Sublime, Movie theater, Art, Art history, Visual arts, Aesthetics