Judaism and Secularism
Jacques Berlinerblau
Abstract
Jacques Berlinerblau
Abstract
Roth’s fiction is, for the most part, set in America, in the years following World War II. None of his works are directly situated during the Holocaust, but many of his works are gounded in allusions to that tragedy. This chapter will situate a discussion of those allusions within a larger discussion of the problematic ways in which the Holocaust has in large part come to define Jewish identity, a subject taken up by Roth in works like Portnoy’s Complaint and The Ghost Writer . There, Roth pushes back on associations between Jewishnesss and victimization, but also acknowledges the necessity of contending with the Holocaust as an integral part of collective Jewish identity, thus opening up a conversation continued in more recent works like Nathan Englander’s “What We Talk About When We Talk About Anne Frank.”
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Roth’s fiction is, for the most part, set in America, in the years following World War II. None of his works are directly situated during the Holocaust, but many of his works are gounded in allusions to that tragedy. This chapter will situate a discussion of those allusions within a larger discussion of the problematic ways in which the Holocaust has in large part come to define Jewish identity, a subject taken up by Roth in works like Portnoy’s Complaint and The Ghost Writer . There, Roth pushes back on associations between Jewishnesss and victimization, but also acknowledges the necessity of contending with the Holocaust as an integral part of collective Jewish identity, thus opening up a conversation continued in more recent works like Nathan Englander’s “What We Talk About When We Talk About Anne Frank.”
Key concepts: The Holocaust, Judaism, Subject (documents), Conversation, Complaint, Identity (music), Jewish identity, Secularism