The 1940s as the Decade of the Anti-Antisemitism Novel

ABSTRACT This article examines the anti-antisemitism novels of the 1940s as an indication of the decade's changing attitudes toward Jews, antisemitism, and religious pluralism, and so contributes to scholarly research on both social protest literature and mid-twentieth-century American religious culture. Recent scholarship has shown that American Jews responded to the Holocaust earlier than had previously been assumed. The anti-antisemitism novels of the 1940s were one of the popular culture arenas in which this response to the horrors of Nazi Germany occurred, as fiction proved an ideal genre for imagining and presenting possible solutions to the problem of antisemitism. These solutions often involved a change from a racial to a religious conception of Jews. Laura Z. Hobson'sGentleman's Agreement(1947) was the most culturally significant of this 1940s genre of anti-antisemitism novels (a subgenre of social protest literature), in part because of its foregrounding of non-Jewish responses to antisemitism. Archival research into the roots of Hobson's novel reveals that news of other female authors writing popular anti-antisemitism fiction encouraged Hobson, allowing Hobson to feel part of a movement of anti-antisemitism writers that would eventually extend to her readers, as demonstrated by readers’ letters. Although Will Herberg's Protestant, Catholic, Jew (1955) is frequently cited as the midcentury book that heralded a postwar shift toward religious pluralism, the anti-antisemitism novels of the 1940s reveal signs of this shift a decade earlier.