Towards a Qualitative Model of Religious Worship Experiences: Perceived encounters with the divine in the ritual context of musical devotion practices
Yoshija Walter
Abstract
Open-access reader
Yoshija Walter
Abstract
Open-access reader
The current qualitative study investigates how religious experiences, in this case subjectively perceived encounters with the divine in worship practices, are induced and experienced by believers under the influence of music. Fifteen worship experts (worship leaders and pastors known to engage in this spiritual state in music) were recruited from Pentecostal and charismatic churches. A qualitative model for religious worship, incorporating essence, meaning, music, method, and experience is proposed. It shows that there is not just ‘one’ religious experience in worship but that there are many of them (a preliminary typology is attempted). There is a feedback loop between the music, the focus on the divine and the mental associations that can strengthen or weaken the experience. The role of music in worship, two approaches to religious experiences (i.e., the sui generis and the attribution theory), and the possibilities for future research are discussed.
OpenAlex reports 9 citations for this work. Citation counts describe recorded attention and do not establish research quality.
A contribution statement is not available in the OpenAlex record.
Method details are not available in the OpenAlex metadata.
Findings are not separately available in the OpenAlex metadata.
Limitations are not available in the OpenAlex metadata.
Application details are not available in the OpenAlex metadata.
The current qualitative study investigates how religious experiences, in this case subjectively perceived encounters with the divine in worship practices, are induced and experienced by believers under the influence of music. Fifteen worship experts (worship leaders and pastors known to engage in this spiritual state in music) were recruited from Pentecostal and charismatic churches. A qualitative model for religious worship, incorporating essence, meaning, music, method, and experience is proposed. It shows that there is not just ‘one’ religious experience in worship but that there are many of them (a preliminary typology is attempted). There is a feedback loop between the music, the focus on the divine and the mental associations that can strengthen or weaken the experience. The role of music in worship, two approaches to religious experiences (i.e., the sui generis and the attribution theory), and the possibilities for future research are discussed.
Key concepts: Worship, Meaning (existential), Context (archaeology), Musical, Social psychology, Psychology, Aesthetics, Typology