List Of Plates

Note: an asterisk before a plate number signifies that the illustration is in colour. *1. Courtyard, south elevation of 'du khang (A. Alexander 2000) *2. Dzam bha la chapel, southern part of sanctum (J. Mueller 2003) 3. Ma ni dung phyur 2000 (A. Alexander) 4. Restoration of span bad frieze, using the traditional techniques and materials (A. Alexander 1999) 5. Below: dur khrod bdag po, 19 th -century mural, mineral colours on mud plaster; 'du khang building, south wall, east of entrance gate, re-traced and varnished during earlier private restoration in 1995 (J. Mueller 2003) 6. Amoghasiddhi and the Pacarak , Metropolitan Museum of Art, 1991.74, (Purchase, Miriam and Ira D. Wallach Philanthropic Fund Gift, 1991, 68.9 x 54 cm). *7. Amoghasiddhi of the northern Quarter of a Vajradh tuma ala (Private collection). (Photo: owner of the collection). *8. Comparison of the Amoghasiddhi thang ka to the full mandala representation in Dungkar (Drawing, C. Luczanits) *9. Ak obhya of the eastern quarter of a Vajradh tu-related mandala (Private collection). (Photo: owner of the collection) *10. Ratnasambhava of the sourthern quarter of a Vajradh tu-related mandala with 1000 Buddhas, Asian Art Museum of San Francisco (The Avery Brundage Collection, 1991.1). *11. Vairocana of the centre of a Vajradh tu-related mandala with 1000 Buddhas, Asian Art Museum of San Francisco (The Avery Brundage Collection, 1991.1). 12. Detail of the central panel with Vairocana, Asian Art Museum of San Francisco (The Avery Brundage Collection, 1991.1). 13. kyamuni, ravakas, Bodhisattvas and donors, Gra thang, inner sanctum, west wall (After Henss 1994: fig. 5) 14. Head of a bodhisattva, Gra thang, inner sanctum (After Heller 1999: pl. 46) *15. Vairocana, The Cleveland Museum of Art (Mr and Mrs William Marlatt Fund, 1989.104) (after Kossak and Singer 1998: No.13) *16. Amoghasiddhi, detail of the head in plate 7 (Private collection). (Photo: owner of the collection) *17. U avijay , The Hermitage Museum,