1992•E-Artexte (Artexte)Requires access

The Boundary Rider 9th Biennale of Sydney

Stephen Bann, Anthony Bond, Charles Merewether, Juán Castillo Muñoz, Ian Burn, Henry Reynolds, John C. Welchman, Sean B. Dolan, Dominique Blain, Imelda Cajipe Endaya, Claus Carstensen, Nick Waterlow, Jörg Johnen, Sara L. Diamond, Chenjerai Mhata, Eugene Carchesio, Rainer Görb, Jörg Herold, Linda L. Wallace, Lucero Isaac, Apinan Poshyananda, Eduardo Galeano, Per Maning, Claudia Matzko, Lazaro Garcia Medina, Anna Couani, Pavel Büchler, Joey Morgan, John Hurrel, André Maquin, John Stringer, Brenda L. Croft, Michael F. Scholz, Bill Seaman, Jeffrew Shaw, Claude Simard, Richard Kelly Tipping, Michael H. Goldberg, Alan Krell, Gregory Burke, Peter Stitt, Daphne Stitt, Mark G. Jackson, Arthur Wicks, BERNARD A. SACHS

Open publisher page 1 citations

Abstract

A number of texts examine such issues as the nature of a biennale and the problem of thematic unity, "bricolage" in the art and culture of Latin America, the border as a cultural concept, and the influence of imperial-colonial relations in Australian history and art. Includes brief curatorial responses to the exhibited works and performances as well as some artists' statements. Biographical notes. Approx. 300 bibl. ref.

About this research paper

What this paper is about

A number of texts examine such issues as the nature of a biennale and the problem of thematic unity, "bricolage" in the art and culture of Latin America, the border as a cultural concept, and the influence of imperial-colonial relations in Australian history and art. Includes brief curatorial responses to the exhibited works and performances as well as some artists' statements. Biographical notes. Approx. 300 bibl. ref.

Why it matters

OpenAlex reports 1 citations for this work. Citation counts describe recorded attention and do not establish research quality.

Key contribution

A contribution statement is not available in the OpenAlex record.

Method / approach

Method details are not available in the OpenAlex metadata.

Main findings

Findings are not separately available in the OpenAlex metadata.

Limitations

Limitations are not available in the OpenAlex metadata.

Applications

Application details are not available in the OpenAlex metadata.

Available abstract

A number of texts examine such issues as the nature of a biennale and the problem of thematic unity, "bricolage" in the art and culture of Latin America, the border as a cultural concept, and the influence of imperial-colonial relations in Australian history and art. Includes brief curatorial responses to the exhibited works and performances as well as some artists' statements. Biographical notes. Approx. 300 bibl. ref.

Key concepts: Bricolage, Art, Art history, Boundary (topology), Colonialism, Latin Americans, Thematic map, Visual arts

Related papers

Back to paper searchBrowse research topicsOriginal source
The Boundary Rider 9th Biennale of Sydney — Research Paper | ScholarLens