Madame Bovary and Hysteria: A Freudian Perspective

Sigmund Freud’s psychoanalytical theories can be used with reference to the analysis of literary works. Reading novels, poems and other compositions through the lens of psychoanalysis gives the opportunity to analyse and evaluate these works in their genesis and functioning. In this article, the main character of Madame Bovary, Emma, is analysed with reference to Freud theories concerning the tripartite structure of the mind (Id, Ego and Superego) along with the Oedipus complex, sexual drives and the analysis of her hysterical personality. The method used for this purpose is the textoanalysis created by a French professor, Jean Bellemin-Noël: several passages from Flaubert’s work are highlighted and discussed according to psychoanalytical theories and with a focus on the social role of women in the 19th century.