Repertoire Policy of Modern Amateur Theatre Groups: Attempt of Sociological Research
Tat'yana Olegovna Rashina, О. А. Михайлова, Veronika Vladimirovna Plekhova
Abstract
Open-access reader
Tat'yana Olegovna Rashina, О. А. Михайлова, Veronika Vladimirovna Plekhova
Abstract
Open-access reader
The article examines the problem of choosing theatre repertoire, analyses the basic principles of its formation in amateur and professional theatre groups. A comparative analysis is conducted. Special attention is paid to repertoire policy of Belgorod region theatres: monitoring of the stage directors’ preferences was implemented with a view to identify their motives for choosing plays of a certain domestic or foreign author, of a particular genre, time period. The factors influencing the choice of amateur theatres repertoire are determined and an integral picture of theatrical life in Belgorod region is presented.
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The article examines the problem of choosing theatre repertoire, analyses the basic principles of its formation in amateur and professional theatre groups. A comparative analysis is conducted. Special attention is paid to repertoire policy of Belgorod region theatres: monitoring of the stage directors’ preferences was implemented with a view to identify their motives for choosing plays of a certain domestic or foreign author, of a particular genre, time period. The factors influencing the choice of amateur theatres repertoire are determined and an integral picture of theatrical life in Belgorod region is presented.
Key concepts: Amateur, Repertoire, Period (music), Sociology, Political science, Literature, Aesthetics, Art