2020Unpublished venueRequires access

Italian Film Comedy

William V. Costanzo

Open publisher page 0 citations

Abstract

Abstract From Dante’s Divine Comedy to the more human forms of commedia all’italiana, the varieties of humor in Italian movies follow the fortunes and misfortunes of the Italian people. This chapter considers why so much Italian comedy, like Italian food, appeals to global audiences with its consistent focus on marriage, sexual politics, and the little guy trying to get by with a touch of larceny. It also explores Italy’s preoccupation with its unique regional stereotypes and the darker regions of the human comedy. Throughout their long history, and especially on the screen, Italians have always been ready to laugh at their own flaws and root for the trickster.

About this research paper

What this paper is about

Abstract From Dante’s Divine Comedy to the more human forms of commedia all’italiana, the varieties of humor in Italian movies follow the fortunes and misfortunes of the Italian people. This chapter considers why so much Italian comedy, like Italian food, appeals to global audiences with its consistent focus on marriage, sexual politics, and the little guy trying to get by with a touch of larceny. It also explores Italy’s preoccupation with its unique regional stereotypes and the darker regions of the human comedy. Throughout their long history, and especially on the screen, Italians have always been ready to laugh at their own flaws and root for the trickster.

Why it matters

A significance statement is not available in the OpenAlex record.

Key contribution

A contribution statement is not available in the OpenAlex record.

Method / approach

Method details are not available in the OpenAlex metadata.

Main findings

Findings are not separately available in the OpenAlex metadata.

Limitations

Limitations are not available in the OpenAlex metadata.

Applications

Application details are not available in the OpenAlex metadata.

Available abstract

Abstract From Dante’s Divine Comedy to the more human forms of commedia all’italiana, the varieties of humor in Italian movies follow the fortunes and misfortunes of the Italian people. This chapter considers why so much Italian comedy, like Italian food, appeals to global audiences with its consistent focus on marriage, sexual politics, and the little guy trying to get by with a touch of larceny. It also explores Italy’s preoccupation with its unique regional stereotypes and the darker regions of the human comedy. Throughout their long history, and especially on the screen, Italians have always been ready to laugh at their own flaws and root for the trickster.

Key concepts: Comedy, Art, Materials science, Visual arts

Related papers

Back to paper searchBrowse research topicsOriginal source
Italian Film Comedy — Research Paper | ScholarLens