2019TEXTOpen access

Peripheral knowledge and feeling: the Perimeters poems

Paul Hetherington, Cassandra Atherton

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Abstract

A great deal of what any of us know and feel is elusive, and much of what we ‘know’ is at the periphery of consciousness. Sometimes this (often subversive) knowledge or feeling iscomposed of nearly inaccessiblememory material; sometimes it consists of bodily knowledge still being formed into mental conceptsandsearchingfor the language in which it may be expressed. This knowledge is often situated on the outskirts of our usual modes of apprehensionand–to the extent that we access it at all–is experienced as an intuition, intimation, mood, hint, inkling, suggestionor glimpse. In the right circumstances, writers are able to bring such knowledge into their creative compositions–and, indeed, there is occasionally a sense that art isthe medium that finally permits itsfull expression. As a way of exploringsome of our ’peripheral’knowledge through an intuitive creative process, in early 2018 we embarked on a collaborative project to write prose poems (which we exchanged as textmessages) exploring the idea of perimeters. To date we have produced a series of prose poems for this ongoing collaborative project

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A great deal of what any of us know and feel is elusive, and much of what we ‘know’ is at the periphery of consciousness. Sometimes this (often subversive) knowledge or feeling iscomposed of nearly inaccessiblememory material; sometimes it consists of bodily knowledge still being formed into mental conceptsandsearchingfor the language in which it may be expressed. This knowledge is often situated on the outskirts of our usual modes of apprehensionand–to the extent that we access it at all–is experienced as an intuition, intimation, mood, hint, inkling, suggestionor glimpse. In the right circumstances, writers are able to bring such knowledge into their creative compositions–and, indeed, there is occasionally a sense that art isthe medium that finally permits itsfull expression. As a way of exploringsome of our ’peripheral’knowledge through an intuitive creative process, in early 2018 we embarked on a collaborative project to write prose poems (which we exchanged as textmessages) exploring the idea of perimeters. To date we have produced a series of prose poems for this ongoing collaborative project

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Available abstract

A great deal of what any of us know and feel is elusive, and much of what we ‘know’ is at the periphery of consciousness. Sometimes this (often subversive) knowledge or feeling iscomposed of nearly inaccessiblememory material; sometimes it consists of bodily knowledge still being formed into mental conceptsandsearchingfor the language in which it may be expressed. This knowledge is often situated on the outskirts of our usual modes of apprehensionand–to the extent that we access it at all–is experienced as an intuition, intimation, mood, hint, inkling, suggestionor glimpse. In the right circumstances, writers are able to bring such knowledge into their creative compositions–and, indeed, there is occasionally a sense that art isthe medium that finally permits itsfull expression. As a way of exploringsome of our ’peripheral’knowledge through an intuitive creative process, in early 2018 we embarked on a collaborative project to write prose poems (which we exchanged as textmessages) exploring the idea of perimeters. To date we have produced a series of prose poems for this ongoing collaborative project

Key concepts: Feeling, Intuition, Consciousness, Poetry, Situated, Psychology, Aesthetics, Epistemology

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