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Cornish Bagpipes: Fact and Fiction

Lea Hagmann

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Abstract

The Cornish bagpipe Pyba is closely connected to the music revival in Cornwall, UK, which started in the late 1970s. Belonging to one of the six so-called Celtic nations - alongside Ireland, Scotland, Wales, the Isle of Man and Brittany - the Cornish revivalists were eager to promote Cornwall’s music as Celtic rather than English. They saw the bagpipe as a particularly Celtic instrument, which would legitimise their claim for a unique musical Cornish heritage and might promote Cornwall’s Celticity at parades on local feast days and at Interceltic Festivals.

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What this paper is about

The Cornish bagpipe Pyba is closely connected to the music revival in Cornwall, UK, which started in the late 1970s. Belonging to one of the six so-called Celtic nations - alongside Ireland, Scotland, Wales, the Isle of Man and Brittany - the Cornish revivalists were eager to promote Cornwall’s music as Celtic rather than English. They saw the bagpipe as a particularly Celtic instrument, which would legitimise their claim for a unique musical Cornish heritage and might promote Cornwall’s Celticity at parades on local feast days and at Interceltic Festivals.

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Available abstract

The Cornish bagpipe Pyba is closely connected to the music revival in Cornwall, UK, which started in the late 1970s. Belonging to one of the six so-called Celtic nations - alongside Ireland, Scotland, Wales, the Isle of Man and Brittany - the Cornish revivalists were eager to promote Cornwall’s music as Celtic rather than English. They saw the bagpipe as a particularly Celtic instrument, which would legitimise their claim for a unique musical Cornish heritage and might promote Cornwall’s Celticity at parades on local feast days and at Interceltic Festivals.

Key concepts: Cornish, Celtic languages, Musical, Irish, History, Art, Ancient history, Art history

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