Cornish Bagpipes: Fact and Fiction
Lea Hagmann
Abstract
Lea Hagmann
Abstract
The Cornish bagpipe Pyba is closely connected to the music revival in Cornwall, UK, which started in the late 1970s. Belonging to one of the six so-called Celtic nations - alongside Ireland, Scotland, Wales, the Isle of Man and Brittany - the Cornish revivalists were eager to promote Cornwall’s music as Celtic rather than English. They saw the bagpipe as a particularly Celtic instrument, which would legitimise their claim for a unique musical Cornish heritage and might promote Cornwall’s Celticity at parades on local feast days and at Interceltic Festivals.
A significance statement is not available in the OpenAlex record.
A contribution statement is not available in the OpenAlex record.
Method details are not available in the OpenAlex metadata.
Findings are not separately available in the OpenAlex metadata.
Limitations are not available in the OpenAlex metadata.
Application details are not available in the OpenAlex metadata.
The Cornish bagpipe Pyba is closely connected to the music revival in Cornwall, UK, which started in the late 1970s. Belonging to one of the six so-called Celtic nations - alongside Ireland, Scotland, Wales, the Isle of Man and Brittany - the Cornish revivalists were eager to promote Cornwall’s music as Celtic rather than English. They saw the bagpipe as a particularly Celtic instrument, which would legitimise their claim for a unique musical Cornish heritage and might promote Cornwall’s Celticity at parades on local feast days and at Interceltic Festivals.
Key concepts: Cornish, Celtic languages, Musical, Irish, History, Art, Ancient history, Art history