2019•Unpublished venueRequires access

On the subjectivity of literary translators

Yang Wuneng, Xu Jun

Open publisher page 0 citations

Abstract

In recent years, the retranslation of foreign literary masterpieces has become increasingly noticeable. The time and society have been in constant change and progression, so the languages and aesthetic standards will change accordingly. Even the most successful translations may become outdated and lose their charm and so they sooner or later will be replaced by new versions. The fixed versions are indeed impossible in literary translation. The factor of the translator’s subjectivity plays a rather important role. The translator’s creation must be confined to the original text. It must reproduce the original meanings and forms and meet the requirements of the original styles. The ideal literary translator should be the researcher of the writers and their works to be translated. The limitation of language expression, undue or deficient, is obvious. Any literary translator has a certain experience of that. In the circle of literary translation, there are different opinions on how to deal with the ambiguity of the source text.

About this research paper

What this paper is about

In recent years, the retranslation of foreign literary masterpieces has become increasingly noticeable. The time and society have been in constant change and progression, so the languages and aesthetic standards will change accordingly. Even the most successful translations may become outdated and lose their charm and so they sooner or later will be replaced by new versions. The fixed versions are indeed impossible in literary translation. The factor of the translator’s subjectivity plays a rather important role. The translator’s creation must be confined to the original text. It must reproduce the original meanings and forms and meet the requirements of the original styles. The ideal literary translator should be the researcher of the writers and their works to be translated. The limitation of language expression, undue or deficient, is obvious. Any literary translator has a certain experience of that. In the circle of literary translation, there are different opinions on how to deal with the ambiguity of the source text.

Why it matters

A significance statement is not available in the OpenAlex record.

Key contribution

A contribution statement is not available in the OpenAlex record.

Method / approach

Method details are not available in the OpenAlex metadata.

Main findings

Findings are not separately available in the OpenAlex metadata.

Limitations

Limitations are not available in the OpenAlex metadata.

Applications

Application details are not available in the OpenAlex metadata.

Available abstract

In recent years, the retranslation of foreign literary masterpieces has become increasingly noticeable. The time and society have been in constant change and progression, so the languages and aesthetic standards will change accordingly. Even the most successful translations may become outdated and lose their charm and so they sooner or later will be replaced by new versions. The fixed versions are indeed impossible in literary translation. The factor of the translator’s subjectivity plays a rather important role. The translator’s creation must be confined to the original text. It must reproduce the original meanings and forms and meet the requirements of the original styles. The ideal literary translator should be the researcher of the writers and their works to be translated. The limitation of language expression, undue or deficient, is obvious. Any literary translator has a certain experience of that. In the circle of literary translation, there are different opinions on how to deal with the ambiguity of the source text.

Key concepts: Subjectivity, Art, Literature, Philosophy, Epistemology

Related papers

Back to paper searchBrowse research topicsOriginal source
On the subjectivity of literary translators — Research Paper | ScholarLens