2019Narrative InquiryRequires access

The rhetoric of factuality in narrative

Samuli Björninen

Open publisher page 10 citations

Abstract

Abstract The article presents a method for studying the factuality of narrative as a rhetoric. The need for such a method is apparent in the so-called post-truth climate, which sees us witnessing debates about semantic chimeras like “alternative facts” and “fake news.” The article arrives at its method by tackling challenges arising both in narrative theory and in fictionality studies. This involves developing models that let us take into account both the effects of local discursive features and the “macrogeneric” and “generic” frames guiding expectations about how communication is meant to work. The method is used in analysis of one of the controversial stories by the journalist Claas Relotius, who is currently being investigated in the forgery scandal of the magazineDer Spiegel.

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What this paper is about

Abstract The article presents a method for studying the factuality of narrative as a rhetoric. The need for such a method is apparent in the so-called post-truth climate, which sees us witnessing debates about semantic chimeras like “alternative facts” and “fake news.” The article arrives at its method by tackling challenges arising both in narrative theory and in fictionality studies. This involves developing models that let us take into account both the effects of local discursive features and the “macrogeneric” and “generic” frames guiding expectations about how communication is meant to work. The method is used in analysis of one of the controversial stories by the journalist Claas Relotius, who is currently being investigated in the forgery scandal of the magazineDer Spiegel.

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Available abstract

Abstract The article presents a method for studying the factuality of narrative as a rhetoric. The need for such a method is apparent in the so-called post-truth climate, which sees us witnessing debates about semantic chimeras like “alternative facts” and “fake news.” The article arrives at its method by tackling challenges arising both in narrative theory and in fictionality studies. This involves developing models that let us take into account both the effects of local discursive features and the “macrogeneric” and “generic” frames guiding expectations about how communication is meant to work. The method is used in analysis of one of the controversial stories by the journalist Claas Relotius, who is currently being investigated in the forgery scandal of the magazineDer Spiegel.

Key concepts: Narrative, Rhetoric, Literature, Sociology, Epistemology, Linguistics, History, Art

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